Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
   19 20 21 22 23 24 25 26 27 28  
 
 Prev Artist   Next Artist 
Alma-Tadema, Sir Lawrence When Flowers Return (mk23) oil painting


When Flowers Return (mk23)
1911 Oil on wood,35.5 x 52.1 cm(14 x 20 1/2 in) Private collection
Painting ID::  23000 		Alma-Tadema, Sir Lawrence
When Flowers Return (mk23)
1911 Oil on wood,35.5 x 52.1 cm(14 x 20 1/2 in) Private collection
   
   
     
Alma-Tadema, Sir Lawrence Cleopatra at the Temple of Isis at Philae (mk23) oil painting


Cleopatra at the Temple of Isis at Philae (mk23)
1912 Oil on canvas (unfinished)150.2 x 106.7 cm(59 1/8 x 42 in) Victoria and Albert Museum,London
Painting ID::  23001 		Alma-Tadema, Sir Lawrence
Cleopatra at the Temple of Isis at Philae (mk23)
1912 Oil on canvas (unfinished)150.2 x 106.7 cm(59 1/8 x 42 in) Victoria and Albert Museum,London
   
   
     
Alma-Tadema, Sir Lawrence Preparations in the Coliseum (mk23) oil painting


Preparations in the Coliseum (mk23)
1912 Oil on canvas,154 x 80 cm(60 5/8 x 31 1/2in) Private collection
Painting ID::  23002 		Alma-Tadema, Sir Lawrence
Preparations in the Coliseum (mk23)
1912 Oil on canvas,154 x 80 cm(60 5/8 x 31 1/2in) Private collection
   
   
     
Alma-Tadema, Sir Lawrence Xanthe and Phaon (mk23) oil painting


Xanthe and Phaon (mk23)
1883 Watercolour,45.1 x 32.4 cm(17 3/4 x 12 3/4 in) Walters Art Gallery,Baltimore
Painting ID::  23003 		Alma-Tadema, Sir Lawrence
Xanthe and Phaon (mk23)
1883 Watercolour,45.1 x 32.4 cm(17 3/4 x 12 3/4 in) Walters Art Gallery,Baltimore
   
   
     
Alma-Tadema, Sir Lawrence A Sculpture's Model (mk23) oil painting


A Sculpture's Model (mk23)
1877 Oil on canvas,195.5 x 86 cm(77 x 33 7/8 in) Private collection
Painting ID::  23004 		Alma-Tadema, Sir Lawrence
A Sculpture's Model (mk23)
1877 Oil on canvas,195.5 x 86 cm(77 x 33 7/8 in) Private collection
   
   
     
         19  20  21  22  23  24  25  26  27  28   
Prev Artist       Next Artist     
     Alma-Tadema, Sir Lawrence
     b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.

Xiamen China Wholesale Stretched Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team